6 Jun
2013

How Commerce Expands Culture

http://theumlaut.com/2013/05/07/how-commerce-expands-culture/

“Take our friend Beethoven. His stellar musical rise was fueled by the productive powers of capitalism. The commercialization of the printing press allowed the Maestro to sell sheet music directly to middle class families and make a cozy artistic freelance living. Businessmen eager to peddle instruments to a growing middle class improved production and lowered the costs of owning a family piano, which drove demand for the sheet music that allowed classical composers to live free from the bondage of patronage. The rise of a wealthy merchant class allowed composers to work for private grants and performances, freed from the strictures of stuffy state and religious taste. Classical composers’ growing roles as businessmen in the developing music market allowed them unprecedented degrees of artistic freedom.”

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31 May
2013

Steven Soderbergh: The State of Cinema

http://kottke.org/13/05/steven-soderbergh-the-state-of-cinema

“But before we talk about movies we should talk about art in general, if that’s possible. Given all the incredible suffering in the world I wonder, what is art for, really? If the collected works of Shakespeare can’t prevent genocide then really, what is it for? Shouldn’t we be spending the time and resources alleviating suffering and helping other people instead of going to the movies and plays and art installations? When we did Ocean’s Thirteen the casino set used $60,000 of electricity every week. How do you justify that? Do you justify that by saying, the people who could’ve had that electricity are going to watch the movie for two hours and be entertained – except they probably can’t, because they don’t have any electricity, because we used it. Then I think, what about all the resources spent on all the pieces of entertainment? What about the carbon footprint of getting me here? Then I think, why are you even thinking that way and worrying about how many miles per gallon my car gets, when we have NASCAR, and monster truck pulls on TV? So what I finally decided was, art is simply inevitable. It was on the wall of a cave in France 30,000 years ago, and it’s because we are a species that’s driven by narrative. Art is storytelling, and we need to tell stories to pass along ideas and information, and to try and make sense out of all this chaos. And sometimes when you get a really good artist and a compelling story, you can almost achieve that thing that’s impossible which is entering the consciousness of another human being – literally seeing the world the way they see it. Then, if you have a really good piece of art and a really good artist, you are altered in some way, and so the experience is transformative and in the minute you’re experiencing that piece of art, you’re not alone. You’re connected to the arts. So I feel like that can’t be too bad.”

 

 

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